Sonaris Definition

Sonaris Music LogoI’ve had a few people ask me how the name Sonaris came about, so I decided to write a short post on it. Even though I wasn’t the first to come up with this word, I was the first to use it as a music alias, to the best of my knowledge. I was certainly the first, and still the only one — at this point, to release an album using this alias.

The definition of Sonaris, as I intended it, is an entity which finds or discovers sound.

One of the biggest things for me, as a producer, has always been to “find my own sound”. It’s something I had been focusing on, even before I officially changed my production name from EJ Lirik to Sonaris.

How it came about: As I felt my music start to mature, I wanted a name which would reflect the evolution of myself as an artist. I had come up with many names, but one really stuck. One of my favorite films when I was growing up in the Soviet Union had been “Solaris” — by Andrei Tarkvosky (not the George Clooney remake, but the 70’s original).  In the film, there is an ocean which (spoiler alert, to some extent) turns out to be a sentient being. I’ve always felt that music is something which flows through me freely, and I’ve chosen myself to be a mere conduit. Thus, Sonaris isn’t me, as a person, but an entity which picks music out of a vast ocean of sounds and aligns them to sound in a particularl, sometimes pleasing way.  A “sonar” is a device which detects objects. “Sonus” is “sound” — in Latin. Thus, a combination of these words made perfect sense, as an alias for music production.

New Release: Sonaris’ Pepel EP is out on Beatport, Amazon and iTunes

Sonaris Pepel EP CoverThe big day is here! Finally, my newest EP, Pepel is out for everyone to enjoy. This one has been a while in the making, and is one I am the most of proud of, at this point. The EP has four tracks, all with their own attitude and mood, but all with a common theme — to make you feel something.

Pepel is a club-bound progressive house track which you can enjoy in your car, in your headphones or on the dancefloor. At 128 bpm, the slightly extended cut is ready to be mixed into a set. The Pryda-esque melodies and pads will keep you entertained from start to finish.

Pathfinder is a slighly lower tempo (125 bpm) house track with a deep melody, ready for your enjoyment. The bouncy bassline is sure to catch your attention! Relax and enjoy this sweet club-ready track.

Bittersweet is an ode to Royksopp or early Deadmau5 chillout/downtempo productions. Deep atmosphere and relaxing vibes, infused with emotion are sure to captivate you. Whether you’re meditating with your eyes closed or relaxing by the pool, this piece is sure to bring a calmness to your world.

Pepel (Gerald The Genius Remix) is a powerful electro house ode to the original, and is a club-ready banger. This track is ready to be mixed into a set for your dance party.

No matter how you look at it, you can’t go wrong with this release! Please grab a copy and support independent music. As always 100% of the proceeds go to improving my audio software and hardware.

Beatport Link

Amazon Link

Sidenote: I know not everyone is able to afford spending money on music, so if that’s you, and you find a pirated copy, grab it! I make music so it can be heard, and of course it’s great to get some support back,  to at least try to cover some costs — but I’d much rather you just enjoy the music.

New Sonaris Releases: Sabotage You // Pepel // Glowing // Just The Beginning // Free and on Beatport, iTunes and Amazon

Sabotage You Cover - Sonaris // h perkinsHere’s what I’ve been up to in the last month or so:

I’ve got a new original EP out on Beatport, called Sabotage You (with h. perkins) – an eclectic mix of breaks, progressive house and electro house. Check it out and pick up a copy, if it’s your “cup of tea”.

I’ve also got a couple of new FREE downloads. One is a deep house track called Just The Beginning and a short, fun variation on Lute of Noah from Final Fantasy III.

Last but certainly not least, my new original EP — Pepel — is coming out on Beatport, iTunes and Amazon on Wednesday, August 1st! You can preview three of the four tracks on the EP, on my Sonaris Soundcloud page. It’s a combination of two brand new original progressive house tunes, one deep chillout track and a great electro remix of Pepel by Gerald The Genius. Bittersweet is a Royksopp-like jump into deep, emotional chillout. Pepel is a Eric Prydz or Pryda-like adventure into melodic club progressive house. Finally, Pathfinder is a bouncy progressive house tune with it’s stand-alone unique vibe.

Not enough? I’m also finishing up a 2012 re-edit of axisONE’s track Sincerely (with vocals by dJessa). Basically I’ve mixed the track down again, from scratch, swapped out the bassline, replaced a few instruments and made the vocals shine like they had never before. No firm word yet on when or how this will be released, but I am excited for you to hear it, that’s for sure!

I am also working on a remix of Onisu’s track Glowing at the moment, which will be another awesome progressive house release.

Needless to say I’ve been busy, but moving full speed ahead. Having recently signed Onisu and Equal Numbers to Addictive Vibe Records I am confident in the strength of the label and the growing team.

Stay tuned for more, and as always, thank you for the support! My dreams wouldn’t be achievable without it.

Sonaris – Haestrom Conspiracy (Original Mix)

New free download techno track out! It’s taken a few weeks to finish up this techno release, bunch of time spent on working out the sounds to sound how I want. The result is a driven, militaristic tune, heavily inspired by the Geth race in the Mass Effect series. The track turned out to sound about as futuristic as I had hoped, with some robotic feel thrown in there for good measure. No actual samples or themes from Mass Effect were used for the track. I wound up either picking out or creating the sounds I wanted for this project, so it’s all-original.

Free download for the time being. Enjoy!

Sonaris – Haestrom Conspiracy (Original Mix) [FREE DOWNLOAD]

A Few of My Favorite (Classical) Things

Update: Added vocal pieces, as suggested and recommended by Reddit user spike

If you’ve known me for any length of time, you know I love various kinds of music, and am frequently inspired by many off-the-wall productions/compositions, as well as contemporary mainstream music. But, Classical music has always been close to my heart. While I have no Classical training, and my piano “playing” is akin to an angry elephant stomping on the keys, as a child I attended many concerts in the Moscow Conservatory. I slept through many of them, but the music stuck. When in deep need for inspiration, I turn to Classical. Lately, I’ve found myself listening to a lot of Baroque, as this period is highly influential to me with usage of melody, melodic structure and progression and raw, passionate, emotional energy.

As I listened to some pieces (on Iceberg Radio’s Baroque Masterpieces channel) which really struck me, I decided to take notes so I can come back and hear pieces I like again and again. The following compilation took me a couple of months to put together from Baroque (mostly) pieces which I felt most resonated with my aural preference. I tracked almost all of the pieces I liked on YouTube, and tried to pick those with the best sound quality. Enjoy:

Vivaldi Violin Concerto In A Minor, Rv 356 Largo

Telemann: Die Kleine Kammermusik – Partita No. 1 in B flat major, 1968 Recording

Bach – Harpsichord Concerto No.1 in D Minor BWV 1052

Suite No. 5 in E Major HWV 430 – Courante

Corelli – Concerti Grossi, Op.6 (1714) / Concerto Grosso No. 1 in D major

A. Vivaldi: Concerto for bassoon, strings & b.c. in B flat major (RV 503) – Part II

Bach Sonata for Solo Violin No.1 in G minor BWV 1001

Vivaldi – Cello Sonata in E Minor RV40 – Mov. 1-2/4

J.S. Bach – BWV 525 (3) – Sonata I – Allegro Es-dur / E-flat major

Bach – Partita No. 6 in E minor, BWV 830 II. Allemande

G.F. Händel – “Ho tanti affanni in petto” – aria for alto, flute and continuo (“Mi palpita il cor”)

J. S. Bach – Sonata for Flute and Obbligato Harpsichord in B minor BWV 1030: III. Presto – Gigue

J.S. Bach – Quia respexit humilitatem & Omnes generationes / Magnificat, Es-dur BWV 243a

Two Part Invention No. 8 in F Major, BWV 779

J. S. Bach: Allemande from Suite in e-minor BWV 996

Maxim Bernard – J. S. Bach: Partita No. 2 in C minor, BWV 826

Georg Solti/Beethoven Symphony No. 5 in C minor (“Fate”), Op. 67 4th Allegro Pt2-2

Jean-Henry d’Anglebert de pièces d’Opéra de Jean-Baptiste Lully

Telemann / Han De Vries, 1982: Oboe Concerto In E minor, TWV 51:e1

Handel – Sarabande

Handel – Suite No. 5 in E Major HWV 430 – Allemande

Albinoni’s Adagio

Bach – Brandenburg Concerto No. 5 in D major BWV 1050 – 1. Allegro

J. S. Bach – Trio Sonata in E flat Major BWV 525 (1/3)

Antonio Vivaldi – Concerto for two oboes in d minor RV 535 (1/-)

Courante, Mr. De Lully (Harpsichord)

Telemann – Concerto grosso in D major, TWV 54:D3 (Trevor Pinnock / The English Concert)

Bach: Mattäus-Passion – Kommt, Ihr Töchter, helft mir klagen – Otto Klemperer

J. S. Bach – Partita n. 2 in C Minor BWV 826 – 6. Capriccio (6/6)

J. S. Bach – Partita No. 6 in E minor, BWV 830 (Perahia)

Corelli : La Follia

Vivaldi: Sovvente il sole (Andromeda liberata, RV117)

Desterò dall’empia Dite – Sharon Rostorf-Zamir – Amadigi – Handel

Sento la Gioia – M.R. Wesseling – Amadigi – Handel

Handel, Io t’abbraccio Love duets

Handel – Serse “Ombra mai fu” – Lorraine Hunt-Lieberson

Johann Sebastian Bach 6 Partitas BWV 825-830,Gustav Leonhardt

Mozart – Lacrimosa

I hope you enjoy these pieces as much as I did when I had first heard them. I am always open to suggestions and recommendations, so please feel free to comment on my Facebook page if you’d like to share them, or just your thoughts.